A
Hundred Thousand Straightened Nails by Donald Hall is about the
pointlessness of life, and how it can still bring joy. Its start is
quite melancholy, with the author saying, “I was always aware that
New Hampshire was more dead than alive” (Hall 252). Hall recounts
the life of a man he knew when he was young, Washington. Hall's
writing invokes Washington's bucolic past as a hermit who could fix
and build just about anything. The poetry connoisseur from the mid
1900's shows through Washington how he feels about the place he grew
up. Washington lives a simple life in New Hampshire, and dies only
remembered by his family. Washington has an abhorrence for wasting
things, as is seen from his saving of nails, food, and even short
pieces of string. The readers are presumed to not be from New
Hampshire, and not know the feeling that Hall conveys, about
everything around them slowly decaying. Hall wrote this piece to show
a way of life that appealed to many, but few could experience.
I
believe that Hall did accomplish his purpose, because he detailed a
life that was fleeting and barely remembered, but that still made
Washington happy. In his final sentence Hall says, “and his
gestures have assumed the final waste of irrelevance” (Hall 262).
This ending is sad, but it also shows the bigger motive, of showing
how the whole New Hampshire way of life has faded too. Hall uses many
rhetorical devices to highlight this, but the one that stood out the
most to me is the parallelism between how he told the story and how
Washington would tell his stories. Washington would ramble on
forever, one thing leading to another thing, and that is exactly how
Hall tells his story. This shows how while Washington was gone, his
small impact on the world is not forgotten, and lives on through
Hall.
New Hampshire Winter by Joe Dorn
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